The main thrust of this movie, which Ellen Barry notes in her review, appears to be an attempt to show that there is no separate Ukraine, bringing back the Pan-Slavism that has long dominated Russian thought. Of course the odd thing is relying on Gogol for any historical picture, given his sardonic view of early 19th century Russia, not to mention the dementia he eventually developed. However, being a Ukrainian, with Polish ancestry, who identified himself as Russian, seems to be enough to ground these long running sentiments in Taras Bulba.
Anyway, the movie is worth watching for its visual effects alone. One of the most lavish Russian movies ever made. You just have to take Bortko's political motivations with a grain of salt.
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