Sergei Eisenstein goes back two years before the first Russian Revolution to the strikes of 1903 and the subsequent suppression that followed in his feature length debut, Стачка. The film was made in 1925 and was steeped in revolutionary references, including the famous scene near the end of the film where he compares the suppression to cows being slaughtered at the abbotoirs. He would go onto make Броненосец Потёмкин (Battleship Potemkin) that same year, which dealt with the mutiny that occurred in 1905. His strong visual style would become the hallmark of early Soviet film.
Sergei Eisenstein goes back two years before the first Russian Revolution to the strikes of 1903 and the subsequent suppression that followed in his feature length debut, Стачка. The film was made in 1925 and was steeped in revolutionary references, including the famous scene near the end of the film where he compares the suppression to cows being slaughtered at the abbotoirs. He would go onto make Броненосец Потёмкин (Battleship Potemkin) that same year, which dealt with the mutiny that occurred in 1905. His strong visual style would become the hallmark of early Soviet film.
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